MORENOISE

WHO AM I

My name is Przemysław Ziółkowski and I'm a creator driven by curiosity. My journey started with music production, which remains at the core of what I do. Over time, I've expanded into sound design, procedural 3D art, visual design and photography.

You'll find a mix of professional projects, experimental works and personal explorations here. Each piece represents a step in my ongoing adventure in digital creation.

I believe in the power of blending disciplines. A composer's ear informs my visual work. My love for procedural art influences my music. It's all connected, all evolving.

Browse, explore, and if something catches your eye or ear, let's talk. The next creative breakthrough could be a collaboration away.

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MUSIC

Music is the core of my creative universe, driving my journey through various media landscapes. As a composer, I've had the privilege of crafting sonic experiences across multiple domains:

• Commercial projects: From catchy jingles for TV and radio ads to immersive soundtracks for games, I've honed my skills in creating music that resonates with audiences and enhances brand messages.
• Experimental Compositions: Pushing boundaries, I explore the intersection of music and technology, often incorporating procedural elements and 3D visual components to create unique audiovisual experiences.
• Personal Works: These pieces reflect my artistic evolution, ranging from emotive orchestral arrangements to experimental electronic compositions.

My approach to music is as diverse as the projects I undertake. Whether I'm scoring a dramatic game sequence, producing a memorable ad tune, or experimenting with generative audio, I strive to capture the essence of each project's vision.

Throughout my career, I've embraced the challenge of each unique project, whether it's a commercial jingle, a game soundtrack, or an experimental piece blending music with procedural art. My work isn't about judging or interpreting; it's about creating sonic experiences that resonate with the specific needs of each project. From catchy tunes that stick in your head to complex compositions that push boundaries, my goal is to capture the essence of the moment or concept I'm working with. This adaptability and range have been the cornerstones of my journey in the ever-evolving world of multimedia composition.

PHOTOGRAPHY

My lens captures three main subjects: people, streets, and structures.

• People: I'm fascinated by the duality of human expression. Sometimes, I capture the carefully crafted personas we present to the world - the masks we choose to wear. Other times, I seek those fleeting moments of raw authenticity. My portraits aim to balance both, appreciating the artistry of our public faces while also celebrating glimpses of our unguarded selves.
• Street: The urban environment is a theater of endless stories. I observe and document the ebb and flow of city life, the silent interactions, and the myriad ways people navigate their surroundings. Each frame is a slice of life, caught in passing.
• Structures: Buildings are more than mere structures; they're art, history, and human ambition made tangible. I photograph architecture to showcase the interplay of form, light, and space that defines our built environment.

My approach is straightforward: I capture what I see. I'm not here to judge or expose. Whether it's a carefully composed image or a spontaneous instant, a person's expression, a street scene, or the geometry of a building, my goal is to hold that moment still.

This gallery showcases my ongoing exploration. If you're intrigued by the idea of a portrait session that embraces both your chosen image and your spontaneous expressions, or if you're interested in a street photography project, or architectural documentation, I'd be delighted to collaborate. Let's create images that celebrate the multifaceted nature of human identity and the vibrant tapestry of urban life.

GAMES

Gaming has been a significant part of my creative journey, influencing my work in audio production and sound design.

• Game Music Composition: I've had the opportunity to compose soundtracks for several game projects, creating immersive musical landscapes that enhance the player's emotional connection to the game world.
• Adaptive Audio Systems: My work involves designing interactive music systems that respond dynamically to player actions, seamlessly transitioning between different musical themes and intensities based on gameplay.
• Sound Design: I specialize in crafting unique sound effects and ambient soundscapes that bring game environments to life, from the subtle rustling of leaves to epic battle sequences.

Use the embedded music player to listen the excerpts from game soundtracks.